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Wednesday, December 1, 2010

Cannibal Ferox


Storyline :
Anthropologists take a trip to the jungles of Colombia to study native cannibals. Instead, they find a band of drug dealers, using the natives to harvest the cocoa leaf.

After awhile, the natives are tired of being tortured slaves, and turn on their masters, as well as the anthropologists, thus filling the screen with gruesome splatter!

Priview :



User Priviews :

"Cannibal Ferox" is a good time for lovers of the cannibal genre.

Three young people head for the Amazon because one of them wants to prove that cannibalism is no longer practiced in the world. They run into a pair of lowlife criminals who have already antagonized the local tribe - who indeed love the taste of human flesh. Director Umberto Lenzi, who'd previously done "The Man from the Deep River" (the vanguard of the cannibal genre) and "Eaten Alive", gives us everything we could expect from such a film.

There's a lot of flesh munching before the film is over. We also get treated to some highly amusing and effectively nasty acts of violence - one unfortunate guy gets savaged more than once before the end. The film, much like "Cannibal Holocaust", does a fair share of moralizing and theorizes that so-called "civilized" people drive the "primitives" to such action.

This is a story where we can be assured that at least some of the victims pretty much ask for it. The primary antagonist is Mike Logan (Giovanni Lombardo Radice, a.k.a. John Morghen), a coke-snorting creep who'd ripped off the mob in NYC and escaped to the Amazon, partly so he could search for emeralds. Radice is great in the role especially as the character gets more and more depraved. Otherwise, the acting is nothing special, although Lorraine De Selle and Zora Kerova are fine eye candy.

When Kerova gets her comeuppance, the film's absolute best and most iconic image is created. It is nice, however, to see Robert Kerman, the lead in "Cannibal Holocaust", as an investigating detective. In fact, one of the more interesting aspects of this film is how it cuts between one story and another, with both the law and the mob on the hunt for Logan back in NYC.

The film has an effective music score by Roberto Donati and Fiamma Maglione, with an ominous main theme. (As well as hilarious use of disco style music over the opening and closing credits!) Granted, the potential viewer has to be able to stomach the scenes of person on animal and animal on animal violence, but this sort of thing is often to be expected in the cannibal film. Overall, this is good and gory, hard-hitting entertainment, with a deliciously ironic ending.

8/10

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Pass: ducksoup

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